dear god, i don’t want to sound like “that guy” but who else saw this coming? maybe this will be the cue for north american producers to get off the stupidness. acutally, that sounds like im singling them out – but for whatever reasons, when the music crossed over seas it lost all its slinky push and pull. i’m not trying to fight against the invisible crowed here – i got enough respect for the whole community; but maybe, just maybe it’s time to think for a second about why the music is called dubstep.
TicketNetwork has a great selection of concert tickets, including 
I like this song actually
saw them live at Pukkelpop this year, all do I’ll have to say track is missing his effect in this video (no bass?). And in the end it’s just a small part of Enter Shikari (one track), something you won’t hear in their other tracks.
@bob: not trying to critique the band i’ve never heard any of their other music. this was more a statement about cliches in the dubstep community.
got your point tony! and … agree actually …
getting away from roots, dub soul and jamaican groove shows us bad examples of dubstep
dub is a bliss!
what a bunch of silly clowns…
I’m not a fan of this at all, but I don’t see how it’s all that much different from the standard, aggressive wobbly dubstep that has come to define the genre for the masses. Just because they use live instruments along with it?
It was indeed inevitable this would happen. It’s a very metal sound. The only reason I disparage it now is because when you use the word ‘dubstep’ to your everyday person, this style is what comes to mind for them.
I actually remember High Rankin making a deathstep tune over a year ago
: “don’t see how it’s all that much different from the standard, aggressive wobbly dubstep” – yup, my thoughts exactly.